HANGING WITH THE HYPOCRITES
An interview with Hypocrisy by: Gino Filicetti
"Music is everything for me. I work in the studio
ten hours a day, seven days a week with bands and plus Hypocrisy it's just
music all day long, 24 hours a day." -- Peter Tagtgren (vocalist,
guitarist, keyboardist) Our world, and death metal along with it, has come
a long way since Peter Tagtgren first visited Florida way back in 1990.
It was a time when everyone was talking about Tampa Bay and how thrash
was dead forever; it was a time when bands like Obituary, Cannibal Corpse
and Deicide were state of the art, revolutionaries, trudging throw unknown
musical waters, and leaving their tracks on the rest of mankind. But those
times have gone the way of the dodo, my friends. It is now 1996, and survival
in the death metal world of today is only for the fittest. Enter Hypocrisy,
a band that was started by Peter Tagtgren to prove to Malevolent Creation's
Phil Fasciana that if they could do it, so could he. The band began as
a one man outfit, and has gone through many lineup changes going anywhere
from one to five to four and finally to a stable power trio. The band consists
of Peter himself who handles vocals, guitars and keyboards, Mikael Hedlund
on bass and Lars Szoke on the skins. Hypocrisy's latest release, _Abducted_,
is an album that proves to the world that death metal need not be as one-dimensional
as most people like to think, the album combines many elements to produce
a sound that is not only fresh and innovative, but sticks to the roots
of this music's heaviness. Releasing an album in this genre nowadays can
prove quite harrowing to many bands trying to make it to the top. For Hypocrisy,
it seems the tide is finally turning in their favour; "The record
company is putting in more effort and money into advertising and stuff
like that. Every album is picking up more and more so that's pretty cool.
It's not going downhill and that's a good thing. Every album has sold more
than the previous one, so that's really cool." He continues about
the response to the album so far, "I did the interviews and it's looking
really killer. But it's easier when you know the album's been out for awhile,
because then you actually hear stuff from fans and the reviews are coming
back. In Europe, the reviews have been giving us 80% and better so that's
great. All the people I've talked to in America and Canada like it a lot
you know, but it's coming out Feburary 14th, so we'll see what the reaction
is going to be with the fans, but so far so good." As most bands progress
in age, they start setting goals for themselves and try to push the envelope
just that much more with each release. Hypocrisy, however, doesn't like
wasting their time with such trivialities; "Well, we just wrote the
songs and didn't worry about how they're going to end up you know? We started
recording the album in March and we listened to it, and after a week or
so we decided to throw away half of the songs because they weren't good
enough and then we started all over again. We went through this process
like four times until we had all the songs." As for the lyrical content,
Peter relates his restlessness and constant effort to change; "Well,
the subject I wanted to take up this time was a little bit different. I
wanted to deal with UFOs and stuff like that. I'm a restless person, I
can't do the same thing twice and the same goes for my music, that's why
two albums never sound the same." Hypocrisy's past lineup change could
make one wonder about the stability of the band in its present form. Peter
is quick to reassure me that for once, he thinks this lineup could go a
long way seeing as everyone has the right mindset to get things done. But
the question comes to mind, is three people enough to pull off the complexity
of Hypocrisy's music? "Yeah, but only when it comes to the studio.
For our live performances we have a stand in guitarist. He also does some
keyboard parts as well as the guitars. You need that to get the thickness
and to sound the same as the album." Also included on _Abducted_ are
three tracks that don't seem to fit with the rest of the album. One is
an ambient soundscape, the other two being acoustical jaunts. Where did
these come from? "Well, that was really just a side project for me
that I did two years ago. I wanted to prove to myself that I could do other
kinds of music besides just metal. The other guys listened to it and they
wanted to put it on the album, but I really wasn't into that. However,
a lot of death metal fans we knew thought that it was really cool music
and that we should put it on an album so we sat and discussed it and came
up with a decision that there shouldn't be any rules about what can go
on an album. So we said, 'Let go for it, and we'll worry about it later.'"
As for touring, Hypocrisy is heading out on a European tour in two weeks
with Amorphis, but plans for North America are still shrouded in haze;
"I have no idea what's going on with America and Canada yet, but we
are trying to get something together. One of the guys from Kataklysm is
trying to fix up a tour with us." As the interview drew to a close,
I asked Peter what he thought about the scene nowadays. Is it any different
than when he first started? "No, I think it was the same thing except
that we played what we listened to. But to me, I think it's important to
be true to yourself, and stick to whatever you believe in. One day the
style of music you play will be hip, but as long as you believe in yourself
and you're not a sell out it doesn't matter what kind of music is the trend
at the time." Truer words have never been spoken. Be sure to check
out Hypocrisy in your neck of the woods, hopefully sometime soon.